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Opry
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Name: Katzi Carver
Age: over 21
Birth date: May 21
Birth place: N/A
Home town: N/A
Resides in: Dallas, Texas, U.S.A.
Pets: Obie and Soju (two mutts we rescued in South Korea and brought home to the States. You can see them on my website. Obie is on the back cover of the CD. GUBE (African Senegal) and O' RILEY (Alexandrian parrot).
Group name: N/A
Instruments played: Keyboards
Started performing at age: 16
Most memorable performance: I love them all.
What do you do to relax: Time with my husband and soul mate, Bo. Bubble baths - meditation - and most importantly HAVING A COLD BEER.
Finished CD's: "DRAWN TO DANGER"
Cd's for sale: - "DRAWN TO DANGER" is available through Katzi's website.
Management: In process.
Record Label: Morrell
Records
Website: http://www.katzi.com
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When you first meet Katzi Carver, you are struck by two seemingly opposing qualities. She arrives, looking fragile and feminine. A petit songstress delighted with the wind blowing her dress hem; porcelain skin "that's never seen the sun" she laughs, with intense eyes. After a cordial meeting, we head inside to give a listen to a few of her tunes. A voice as vast as Texas jumps from the speakers. Lyrically tough one minute and touching in the next instant, I begin to wonder, "were did this package come from?"
She is more interested in listening to tales from my life, but after a while she fills me in.
"I come from a theatre background, a true gypsy" she exclaims. "I toured the U.S. flying as Peter Pan or singing and dancing in Grease. I went to Catholic School for 12 years but most of what has gotten me through this crazy life, I learned in the theatre. Leave your problems at the stage door. The Show must go on. Every performance presents a new audience, so always give 100% and combined effort makes theatre magic; don't "HOG" the show. I'm incredibly grateful that my first outing with any kind of limelight was in the theatre. It keeps me grounded and always striving to do better."
After a bit of coaxing and probing for more information, you realize her humility is infectious. I was able to find out that she intends to live 10 lifetimes rolled into this one. And amazingly, she has done it. She has played the Casino Circuit in rhinestones and sprayed hair, played Atlantic City, been on the Maury Povich show, been a bartender, floral designer and motivational speaker between gigs from Dallas to Tupelo. She has toured South Korea, entertaining the troops for five months but wants to spend more time telling you about the two Korean mutts she and husband Bo rescued at four weeks old, raised in quasi huts and brought back to the States. "It's one of our biggest accomplishments. That's Obie on the back of the CD. We're gonna incorporate Soju on the next - it's only fair." She has taught voice at a middle school for a year and had the highest attendance from the parent's at her year end recital. "To hear those kids who could barely squeak out a note, SING OUT by the end of the year and see their faces light up with accomplishment was quite a gift."
"What drew you to write and record 'Drawn To Danger'" I ask, thinking I'm so clever with words.
"Bo and I were returning from S. Korea. I was struck by how much I would miss the Korean people. They are by far, happier than we westerners although they have very little. What was their secret? They are not after material gain, it's all about simple pleasures; being themselves. I decided to step out from behind all the COVER TUNES AND MUSICAL SCORES and do something uniquely - me. And then let the chips fall as they may. If any doors open I know I can deliver the goods. Singing live nine times a week to helping out charities to whatever, I'm ready. You know I thought this project was going to be about rhythm patterns and chord progressions and 1 - 3 - 5 harmony and it was - BUT - it was a lot more about courage. Going the distance with no guarantees you'll even recoup your investment. Anyway, if one listener dances around the kitchen or vents a frustration or just enjoys a beer - it will all have been worthwhile."
You might be inclined to think she's pulling your leg but you know she's not.
We never got around to "Where are you from" and all that endless application information, the hour had flown by.
I did sneak in "HEY WHERE DID THAT TITLE COME FROM?"
"Oh, one day I was working my 'real job' and this lady came in with three kids. The air conditioner was broken that day and so I had a fan whirling on HIGH. She was busy doing her thing and wasn't paying too much attention to the kids. The smallest boy kept going for that fan. I tried to get him to leave it alone but he was waiting for mom's response. She turned and said, "I don't know what to do with that boy he's just drawn to danger!!!" I began to think how many people are just like him. Hey there's a song in there!!!!!"
As she breezes out, hair flying, I think to myself, "I have no idea what's going to happen to this creative waif with the big voice but I do know - it will never be boring."
Written by Travis Hunt, graciously provided by Katzi Carver.
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When we started Opry North we had high hopes of helping the artists who have worked for years trying to succeed in what at times can be a very unforgiving business, those who deserve a break from the promotion and cash flow struggle. We were contacted recently by a lovely woman and her husband from Dallas Texas, a couple who have known the ups and downs of the performing lifestyle and have achieved what they have by their own determination. And they have an admirable product to show for it - the CD "Drawn to Danger". I read what they had sent in and visited their web site, then listened to their CD to hear the voice behind the words that I had read on paper. Katzi has a pure, strong delivery that is very pleasing to hear with well written songs and a very well done production effort and she is definitely one of those who deserves a break. With that in mind we offered to do a profile for Katzi, the first U.S. based artist to be the subject of one of our profiles.
Independent artists may be commended for their successes because they get where they end up by the sweat of their own brow and by skillfully managing their resources for maximum effect, not being able to rely on hundreds of thousands of dollars for that "quick fix" that a major label deal may provide. When you listen to an excellent product like "Drawn to Danger" that fact is brought home without a doubt. I would like to offer you the chance to experience the Carver Connection, visit the web site and hear the sound clips, look at the photos and leave Katzi and Bo a message of support for the extraordinary effort they've put forward. What follows below is the response to the questions we use for our profiles that Katzi completed in record time (only two other artists have responded as quickly). You will see this is a woman with the experience, the insight and the talent to be in the picture for a long, long time and if you're lucky you'll run into her. It's our pleasure to introduce you to Katzi Carver.
Starting
Out
Q: Looking back on your earliest experiences in the music industry what did you learn that made the most difference at that time?
Q: What two things would you say are the most important
things to do or have to succeed to the level you’d wanted to out of the
following: practice, ambition/determination, organizational ability, creating
enough buzz.
Q: Being aware of the highly competitive nature of the music industry were you given any guidance or support from established performers on your way up, and how valuable has that been?
"Not directly."
Q: As an up & coming artist did you find it was difficult to get your name and your sound out into the public at times? That there was a shortage of showcase media be it print or electronic to fill the void between the clubs and the stadiums?
Q: Looking back, do you feel that focusing on being a songwriter, learning about producing or learning about the whole process was the thing you should have done as opposed to what you did do? Or, are you satisfied with your route and wouldn’t have changed a thing?
First
Making it “Big”
Q: With success comes a lot of responsibility. How do you decide when it’s time to delegate some of the load, who to delegate to and what you’ll keep for yourself?
Q: Some people are content to stay on the same path they’ve always been on after they’re successful. Others see it as a good time to show versatility and go in a different direction. Not always to people’s liking. Can you see yourself breaking out into slightly different direction instead of staying on the safe road?
Q: The team you choose to help out when things take off plays a large part in how stress free things become. What qualities must you look for to be sure the person you've chosen is right for the team?
Q: It’s been said that the music industry is a very small world, with you running into the same people all the time. I know it’s important to always treat others the way you’d want to be treated but have there been instances where you’ve been caught off guard with someone popping up where you really didn’t expect them to (or want them to, maybe)?
The
Future
Q: With the arrival of the cyber age, with online stores, MP3’s and the like how do you see the music industry changing? Can you see contracts in the future outlining who has what rights in relation to the Internet?
Q: Can you see such independent productions being accepted into the same leagues as the major label productions by both or either the industry or public?
Personal
Questions
Q: What, if any, preparation did you have to do to get started or advance? Has there been vocal, dance, maybe business instruction along the way?
THE SHOW MUST GO ON
LEAVE YOUR PROBLEMS AT THE STAGE DOOR
EVERY PERFORMANCE IS YOUR FIRST PERFORMANCE
DON'T HOG THE SHOW
Those things have sustained me when I wasn't feeling well, or something bad happened in my real life and it was time to perform."
Q: What surprised you the most about being in music? What elements caught you off guard or weren’t what you’d expected?
Q: What part of the up & coming process would you change if you could? Or do you feel that everyone should take some bumps along the way?
Q: What was it like when you first started recording? How prepared did you feel going in and how prepared were you really?
Q: They say to be good at what you do you have to keep learning. What areas of the music business do you want to start learning more about next?
Q: If you had to choose one part of the music industry and do only that one thing what would it be?
Q: What did you discover about touring that you hadn’t
expected?
Q: Are there any projects coming up that you can tell
us about?
Q: What would you like to do for 2000 that you
haven’t tried before?
In conclusion, the artist we have been very delighted to meet this month is someone who is worthy of success on her own merit and is more than willing to help others make their own dreams come true. She has learned many lessons along the way and has the instinct to follow the directions that will keep her true to herself and her goals. She is a woman who has allowed us the chance to get to know her a little better and entrusted to us her introduction to many potential fans on a global scale. We would like to extend our support and admiration to Katzi and Bo, and thank them for their help in making this profile possible. Remember, everything they do, they do for you.
© 2000 Opry North/ Whitepaw Productions
All Rights Reserved.
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©2000 Whitepaw Productions
All rights reserved